I've been thinking a lot about scholarly processes lately; about the how, rather than the what, of what we do. I started focusing on this issues while working on my contribution to last year's Babel Working Group meeting in Santa Barbara and it led to the session that Asa Mittman and I organized for this year's Babel meeting in Toronto and my own contribution to that session. The session as a whole is summarized in a post on the Material Collective's blog and so the point of this post is to highlight my own contribution. This took the form of a video entitled "To Free Writing" which is available here. The text in the video was developed through my process of freewriting, which I documented in additional videos (Freewriting 1, Freewriting 2, Freewriting 3, Freewriting 4, Freewriting 5, Freewriting 6, Freewriting 7, Freewriting 8, Freewriting 9, Freewriting 10, Freewriting 11, Freewriting 12).
I head home from Paris tomorrow. I've done a lot of work here: finished drafting an article and wrote my talk for Kalamazoo. But I've also taken a lot of photographs of the city and done a lot of knitting, producing two now of these yarn-bombs for lamp posts (I'll install the second tomorrow morning before heading to the airport. It was intended to replace the first, but since it's actually still there, the second will have to go on a different lamp post). This blog post is meant to tie those last two pursuits together, very visually. It's also, then, a meditation on one of the things I love about this city; the textures, the patterns, and the details in the architecture, the street furniture, and the street itself. Yarn-bomb in the Place Louis Aragon on the Ile St. Louis. Crosswalk on the Rue St. Antoine. Yarn-bomb detail. Detail of wrought-iron work on a tomb in Pere Lachaise. Yarn-bomb d...
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