Mostly Medieval:Images and Reflections

. I've been wanting to write about this since I saw it in the flesh for the first time after the ICMA symposium at the CMA, however many weeks ago that was now (see me previous post on how things keep getting away from me).  This sculpture, a late medieval image of John resting on Jesus' breast, is one of the treasures of the museum's medieval collection, but the later medieval material isn't on display due to the all of the renovations.  The museum had arranged a small display of this material for the ICMA event. I was initially drawn to the toes of both figures: individually carved out little wooden digits.  Awesome!  Some are missing as you can see in the photo.  That could be just accidental damage; individually carved wood toes are going to break off easily.  But I keep imagining some whacked-out medieval nun snapping off Christ's missing big toe and sneaking it away in her garment so she could have a little bit of her divine husband all to herself.  And wh

This sculpture (a Protective Spirit from the palace of Assurnasirpal at Nimrud) is always a big hit with my Intro students when we go on our field trip to the CMA.  I can see why.   Seen in person, the details leap out at you.  Its almost like its shouting at you: toenails!  calf muscle!! kneecap!!! And can someone explain to what is going on with the kneecaps in ancient sculpture in general? Last year, their enthusiasm for him got us into a little bit of trouble.  We were in the small ancient near eastern gallery and a group of ladies who lunch types were perched on their folding stools in the gallery next door listening to a lecture about Greek vase painting.  I knew that my students were getting a little loud, but I didn't want to shut them down: how often do scrappy urban kids get excited about Assyrian relief sculpture?  Hell, how often does anybody get excited about Assyrian relief sculpture!  The Greek pots lecturer felt the need to stop and tell me that her's was a