I'm very happy to say that I'm on schedule for my writing this summer: I've got a draft of this new Intro to the book finished just in time to leave town for my cousin Seth's wedding. The last part of it, which I am posting here, is the review of the literature (edited down a bit for this forum) and thee overview of the book as a whole. Let me know what you think.
Scholarship on motherhood in
general has been shaped by a split between motherhood understood as an
“experience” and as an “institution” since the publication of Adrienne Rich’s foundational
work in 1976. The experience that
concerns Rich and those who have followed in her wake is that of the mother
herself, as distinct from that of the child. Indeed another set of terms for this
distinction is between “maternal subjectivity” - that is, the mother considered
as a thinking and feeling subject in her own right –and the “ideology of
motherhood.” Institution and ideology alike refer to cultural myths and
stereotypes of mothers and motherhood, and to the prescriptions and demands placed
on women as mothers by society at large, and so to motherhood as both a culturally
defined ideal and a socially constructed role.
By contrast, Rich’s maternal experience is primarily physical or bodily,
although she and others argue against it being dismissed as mere biology.
This distinction has likewise
shaped scholarship on medieval motherhood beginning with Clarissa Atkinson’s
1991 The Oldest Vocation: Christian
Motherhood in the Middle Ages.
Atkinson places emphasis on motherhood as institution or ideology,
explaining that is she writing a history of ideas about motherhood as presented
in various texts. And subsequent scholarship, in particular the essay
collections Medieval Mothering and Maternal Measures: Figuring Caregiving in
the Early Modern Period, has likewise focused on motherhood as a socially
constructed role, in particular that of caregiver or nurturer, while
downplaying motherhood as a bodily experience as biological and so a-historical.
By contrast, my interest is in
motherhood as an experience as defined by Rich; as a bodily experience that is
also a meaningful experience as it becomes part of a woman’s subjectivity. Where previous scholars on medieval
motherhood have frequently dismissed physical motherhood as natural and a-historical,
I seek to historicize it by considering the meanings it held for women in the
medieval past. Finally my work shows motherhood to have been a much more
complex, contradictory and ambivalent, experience than can be summarized as a
single term such as caregiving.
To attempt to capture the
complexities of motherhood as an experience for medieval women, this book is
structured as something of a narrative of that experience. It is divided into two parts: the first
(Chapters One and Two) focuses on the woman’s process of becoming a mother, on
pregnancy and childbirth, and the second (Chapters Three and Four) focuses on
relationships between mothers and their children during the first few years of
a child’s life. The two parts are joined
by a focus on the tension between life and death, the potential death of the
mother in bringing new life into the world (Chapter Two) and the potential
death of that new life – the death of the child (Chapter Three). The
organization of the book is thus not dictated by the dates of thee sculptures
themselves, indeed the chapters move from the thirteenth century (the Reims sculptures
in Chapter One), back to the twelfth century (the Moissac and Autun sculptures
in Chapters Two and Three) with a gesture towards the sixteenth (the transi tomb off Jeanne de
Bourgogne-Vendome in Chapter Two), and then forward again to the fourteenth
through sixteenth centuries (the Virgin and Child sculptures in Chapter
4). Likewise I am not attempting to use
the chronology of the sculptures to track changes in motherhood as an
experience over time: my evidence does not support doing so. I also cross over
the boundary between the art-historical categories of Romanesque (the Moissac
and Autun sculptures) and Gothic (the Reims sculptures, the transi, and the Virgin and Child
sculptures), simply because those categories are not relevant to my work
here.
Chapter One takes as its topic the
Annunciation and Visitation scenes from thee west front of Reims
cathedral. I focus on the differences
between their images of the Virgin Mary and argue for seeing these changes as
the product of her impending motherhood – and so for seeing these sculptures as
representing motherhood to the women of medieval Reims as a transformative
experience. Chapter Two focuses on a
specific transformation wrought by motherhood, that of a living woman into a
corpse. The monstrous forms of both the
Moissac femme aux serpents and the transi of Jeanne de Bourgogne-Vendome
are understood to represent the dead mother who, in dying, gives birth to her
own dissolution and decay. Chapter Three
continues to address issues of life and death, focusing on the life and death
of the child. The central sculpture for the
chapter is the Eve from the church of St-Lazare at Autun, which is understood
in combination with the shrine to St. Lazarus that stood inside of the
church. I imagine medieval women coming
as pilgrims to this shrine on behalf of a sick, dying, or miraculously healed
or even resurrected child, and argue that the emotionality of the Eve image
would have provided a model for these women’s own emotions. Chapter Four follows from the previous in
focusing on the relationship between the mother and child as represented in
multiple sculpted versions of the Virgin and Child. The chapter’s primary focus is on the
sculptures’ clothing, which structure the mother-child relationship differently
in each sculpture. I argue that these
sculptures cumulatively created a discourse on the combination of merger and
separation, love and hate, that characterizes parturition as an
experience. Finally the book’s
Conclusion looks to representations of motherhood in contemporary (late
twentieth and early twenty-first century) art made by women artists and looks
for both continuities and changes in motherhood as an experience over time.
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