Skip to main content

To Free Writing

I've been thinking a lot about scholarly processes lately; about the how, rather than the what, of what we do.  I started focusing on this issues while working on my contribution to last year's Babel Working Group meeting in Santa Barbara and it led to the session that Asa Mittman and I organized for this year's Babel meeting in Toronto and my own contribution to that session.  The session as a whole is summarized in a post on the Material Collective's blog and so the point of this post is to highlight my own contribution.  This took the form of a video entitled "To Free Writing" which is available here.  The text in the video was developed through my process of freewriting, which I documented in additional videos (Freewriting 1, Freewriting 2, Freewriting 3,  Freewriting 4, Freewriting 5, Freewriting 6, Freewriting 7, Freewriting 8, Freewriting 9, Freewriting 10, Freewriting 11, Freewriting 12).

Comments

  1. lcrenovationJanuary 30, 2021 at 1:26 AM

    Amazing blog! I really like the way you explained such information about this post with us. And blog is really helpful for us.
    https://www.lcrenovation.co.uk/renovations-in-richmond/
    House Renovations in Richmond

    ReplyDelete

Post a Comment

Popular posts from this blog

À mon seul désir

This post has been brewing for a while - since my Spring Break trip to Paris.  It springs from one of my visits to the Cluny during that trip, when I ended up in the Unicorn tapestries room. I've been in there before of course, if only because it is the only air-conditioned space in the museum.  My first month-long trip summer trip to Paris I took in July instead of June and it was hot (and a little smelly).  I was spending my afternoons in museums looking at Virgin and Child statues and most of the Cluny's are gathered in a gallery right next to the tapestries room, so I would duck in there to sit in the a.c. for a bit whenever I got just too uncomfortable.  On this most recent trip, in March, it was freezing cold and I got routed through the room because that space with the Virgins was briefly closed for some reason. And for some other reason I was struck by the panel above, sometimes labelled as the Lady and the Unicorn.  Struck not so much by its ima...
12 comments
Read more

The Virgin at Chartres, White Supremacy, and Medieval Studies

Medieval Studies blew up online this past weekend when a Rachel Fulton Brown, an Associate Professor in the History Department at the University of Chicago (my graduate institution, although I did not study with her), published a few pieces on her blog aimed at Dorothy Kim (an Assistant Professor at Vassar College, who I know from the Society for Medieval Feminist Scholarship) for her insistence that medieval studies as a field needs to grapple with the way its materials have been and are currently being used by white supremacists to support their ideology and that those of us who teach medieval materials need to signal our rejection of white supremacist beliefs to our students. While the first post begins (and the second continues) an attack on Kim, the bulk of it is given over to an argument about the Virgin Mary that is framed around a famous window from Chartres Cathedral, known as Notre Dame de la Belle Verriere (our lady of the beautiful window).  According to Fulton Brown...
7 comments
Read more

Paris, patterns, textures, textiles: A photo-essay

I head home from Paris tomorrow.  I've done a lot of work here: finished drafting an article and wrote my talk for Kalamazoo.  But I've also taken a lot of photographs of the city and done a lot of knitting, producing two now of these yarn-bombs for lamp posts (I'll install the second tomorrow morning before heading to the airport.  It was intended to replace the first, but since it's actually still there, the second will have to go on a different lamp post).  This blog post is meant to tie those last two pursuits together, very visually.  It's also, then, a meditation on one of the things I love about this city; the textures, the patterns, and the details in the architecture, the street furniture, and the street itself. Yarn-bomb in the Place Louis Aragon on the Ile St. Louis.   Crosswalk on the Rue St. Antoine. Yarn-bomb detail.   Detail of wrought-iron work on a tomb in Pere Lachaise.   Yarn-bomb d...
27 comments
Read more