I've been thinking a lot about scholarly processes lately; about the how, rather than the what, of what we do. I started focusing on this issues while working on my contribution to last year's Babel Working Group meeting in Santa Barbara and it led to the session that Asa Mittman and I organized for this year's Babel meeting in Toronto and my own contribution to that session. The session as a whole is summarized in a post on the Material Collective's blog and so the point of this post is to highlight my own contribution. This took the form of a video entitled "To Free Writing" which is available here. The text in the video was developed through my process of freewriting, which I documented in additional videos (Freewriting 1, Freewriting 2, Freewriting 3, Freewriting 4, Freewriting 5, Freewriting 6, Freewriting 7, Freewriting 8, Freewriting 9, Freewriting 10, Freewriting 11, Freewriting 12).
Medieval Studies blew up online this past weekend when a Rachel Fulton Brown, an Associate Professor in the History Department at the University of Chicago (my graduate institution, although I did not study with her), published a few pieces on her blog aimed at Dorothy Kim (an Assistant Professor at Vassar College, who I know from the Society for Medieval Feminist Scholarship) for her insistence that medieval studies as a field needs to grapple with the way its materials have been and are currently being used by white supremacists to support their ideology and that those of us who teach medieval materials need to signal our rejection of white supremacist beliefs to our students. While the first post begins (and the second continues) an attack on Kim, the bulk of it is given over to an argument about the Virgin Mary that is framed around a famous window from Chartres Cathedral, known as Notre Dame de la Belle Verriere (our lady of the beautiful window). According to Fulton Brown, th
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