Skip to main content

Eating Medieval Art: Gourdes in Potage


I picked this for my second recipe from Pleyn Delit because it looked fairly simple and looked like it would reheat well - that's one of my major criteria for normal recipes since I don't have time to cook every night.  I was also curious about it because I couldn't imagine what texture it was going to have.  Pleyn Delit doesn't include any photographs of the prepared food so it's hard to imagine in advance was the finished dishes are going to look like. 

The original is given as "Take yong gowrdes; par hem and kerve hem on pecys.  Cast hem in gode broth, and do therto a gode pertye of oynouns mynced.  Take pork soden; grynde it and alye it therwith and with yokes of ayren.  Do therto safroun and salt, and messe it forth with powdor douce."  "Gourds" here means squash and I chose to use butternut, since its a squash I'm used to working with.  The squash is boiled in broth along with some onions and then that is mashed together: I used my potato masher and kept a fairly rough texture because that somehow seemed more appropriate, more "medieval," to me.  


Then cooked ground pork is added along with an egg or egg yolk and some spices.  I assume the egg is meant to thicken and bind the whole, although I don't know if it was really necessary.   On the first night the dish was rather bland, despite the spices.  So when I reheated it later in the week (and it does reheat well) I added additional spices, including some pepper even though that isn't mentioned in the original. 



Comments

Popular posts from this blog

The Virgin at Chartres, White Supremacy, and Medieval Studies

Medieval Studies blew up online this past weekend when a Rachel Fulton Brown, an Associate Professor in the History Department at the University of Chicago (my graduate institution, although I did not study with her), published a few pieces on her blog aimed at Dorothy Kim (an Assistant Professor at Vassar College, who I know from the Society for Medieval Feminist Scholarship) for her insistence that medieval studies as a field needs to grapple with the way its materials have been and are currently being used by white supremacists to support their ideology and that those of us who teach medieval materials need to signal our rejection of white supremacist beliefs to our students. While the first post begins (and the second continues) an attack on Kim, the bulk of it is given over to an argument about the Virgin Mary that is framed around a famous window from Chartres Cathedral, known as Notre Dame de la Belle Verriere (our lady of the beautiful window).  According to Fulton Brown, th

À mon seul désir

This post has been brewing for a while - since my Spring Break trip to Paris.  It springs from one of my visits to the Cluny during that trip, when I ended up in the Unicorn tapestries room. I've been in there before of course, if only because it is the only air-conditioned space in the museum.  My first month-long trip summer trip to Paris I took in July instead of June and it was hot (and a little smelly).  I was spending my afternoons in museums looking at Virgin and Child statues and most of the Cluny's are gathered in a gallery right next to the tapestries room, so I would duck in there to sit in the a.c. for a bit whenever I got just too uncomfortable.  On this most recent trip, in March, it was freezing cold and I got routed through the room because that space with the Virgins was briefly closed for some reason. And for some other reason I was struck by the panel above, sometimes labelled as the Lady and the Unicorn.  Struck not so much by its imagery, as by its

Paris, patterns, textures, textiles: A photo-essay

I head home from Paris tomorrow.  I've done a lot of work here: finished drafting an article and wrote my talk for Kalamazoo.  But I've also taken a lot of photographs of the city and done a lot of knitting, producing two now of these yarn-bombs for lamp posts (I'll install the second tomorrow morning before heading to the airport.  It was intended to replace the first, but since it's actually still there, the second will have to go on a different lamp post).  This blog post is meant to tie those last two pursuits together, very visually.  It's also, then, a meditation on one of the things I love about this city; the textures, the patterns, and the details in the architecture, the street furniture, and the street itself. Yarn-bomb in the Place Louis Aragon on the Ile St. Louis.   Crosswalk on the Rue St. Antoine. Yarn-bomb detail.   Detail of wrought-iron work on a tomb in Pere Lachaise.   Yarn-bomb detail.