Skip to main content

Returning

I'm returning to the image that I used in my first post in this blog in order to mark a return to the blog itself.   I've not written anything here for a good long while now and am very aware of that.  I've been wondering whether I want to continue to writing here or not and why.  Thinking about where I am now compared to where I was when I started this and about what I might want this platform to do for me now.

I've not been writing here, first, because I've been doing other things.  Primarily service work, chairing a couple of committees and so getting my department and college ready for a major curriculum change that will be going into effect in the Fall.  Looking back at my first post here, I wrote about not wanting to get dragged into service and hoping to use writing in this forum as a way of resisting that.  That didn't work out, obviously, but I've also changed my attitude towards service somewhat - seeing it not as a time-sink but instead as a training ground for a potential move into administration.   

Any further moves in that direction, however, will have to wait as I will be on sabbatical this coming year and have a lot of writing to get done during the year.  But the context of my writing has also changed since I started this.  Then, I was immediately post-tenure and wondering how I was going to continue to be productive as a scholar without the pressure that I had lived under for so long - to finish the PhD, to get a tenure-track job, and then to earn tenure.  I was also feeling the release of that pressure in the new possibility of writing new and different kinds of things, things that wouldn't have "counted" in my tenure process, this blog among them.  However, over the past few years my university has instituted a new workload policy that put the pressure back on and take that freedom away.  Now post-tenure we have to continue to produce specific types of things at a specific pace (basically 2 journal articles in 3 years or a book in 5) or else our teaching loads will be increased.   The administration likes to talk about this new policy as a way of opening different avenues for faculty in their careers, allowing people to "chose" to focus on teaching for example, but the way it has been implemented instead treats increased the increased teaching load as a punishment for unproductive or unsuccessful scholars.  It is under this cloud that I will be writing over the next year.  The work I produced in the run-up to tenure has kept me safe from teaching increases so far, but now I need to get new work out.  And needing to get the work out is making it hard for me to do the work, making me anxious about the work that I am doing even as I am doing it.  

Unfortunately, furthermore, the major project that I want and now need to be working on is a book that I've been working on, off and on, for years and that I have always been very anxious about.  Partly because of the content - theoretical, feminist, not at all a straightforward piece of traditional scholarship.  And partly because, well, its a book and I've never written a book before and don't really know how.After an initial consultation with a potential publisher it's clear to me that a major issue with the book so far is that the only reader it has had so far is, well, me.  And it needs to start making sense to other people if its going to be published.  So my thought is to use this forum to facilitate that over the next year so.  I'm going to be doing a version of  "writing in public," using the blog as a place to post bits and pieces of the book as I write them, looking for comments and suggestions.  I hope it works.  That's really up to you all.


Comments

  1. Hi dear Marian - count me in! And (is this a U of C inner clock?) I find myself in a similar moment: closer to stepping over the threshold of a book. Excited to engage in your process! -- Anne

    ReplyDelete
  2. Great idea!! Will be happy to read!

    ReplyDelete

Post a Comment

Popular posts from this blog

The Virgin at Chartres, White Supremacy, and Medieval Studies

Medieval Studies blew up online this past weekend when a Rachel Fulton Brown, an Associate Professor in the History Department at the University of Chicago (my graduate institution, although I did not study with her), published a few pieces on her blog aimed at Dorothy Kim (an Assistant Professor at Vassar College, who I know from the Society for Medieval Feminist Scholarship) for her insistence that medieval studies as a field needs to grapple with the way its materials have been and are currently being used by white supremacists to support their ideology and that those of us who teach medieval materials need to signal our rejection of white supremacist beliefs to our students. While the first post begins (and the second continues) an attack on Kim, the bulk of it is given over to an argument about the Virgin Mary that is framed around a famous window from Chartres Cathedral, known as Notre Dame de la Belle Verriere (our lady of the beautiful window).  According to Fulton Brown, th

À mon seul désir

This post has been brewing for a while - since my Spring Break trip to Paris.  It springs from one of my visits to the Cluny during that trip, when I ended up in the Unicorn tapestries room. I've been in there before of course, if only because it is the only air-conditioned space in the museum.  My first month-long trip summer trip to Paris I took in July instead of June and it was hot (and a little smelly).  I was spending my afternoons in museums looking at Virgin and Child statues and most of the Cluny's are gathered in a gallery right next to the tapestries room, so I would duck in there to sit in the a.c. for a bit whenever I got just too uncomfortable.  On this most recent trip, in March, it was freezing cold and I got routed through the room because that space with the Virgins was briefly closed for some reason. And for some other reason I was struck by the panel above, sometimes labelled as the Lady and the Unicorn.  Struck not so much by its imagery, as by its

Paris, patterns, textures, textiles: A photo-essay

I head home from Paris tomorrow.  I've done a lot of work here: finished drafting an article and wrote my talk for Kalamazoo.  But I've also taken a lot of photographs of the city and done a lot of knitting, producing two now of these yarn-bombs for lamp posts (I'll install the second tomorrow morning before heading to the airport.  It was intended to replace the first, but since it's actually still there, the second will have to go on a different lamp post).  This blog post is meant to tie those last two pursuits together, very visually.  It's also, then, a meditation on one of the things I love about this city; the textures, the patterns, and the details in the architecture, the street furniture, and the street itself. Yarn-bomb in the Place Louis Aragon on the Ile St. Louis.   Crosswalk on the Rue St. Antoine. Yarn-bomb detail.   Detail of wrought-iron work on a tomb in Pere Lachaise.   Yarn-bomb detail.